Coco & Kupper collaboration

18th May 2012

link to Traxsource

In the spring of 2005, two pioneers or electronic music, Chris Coco and Eric Kupper, got together in a basement studio in London. Armed with a Roland Juno 106, a ProTools rig and a few other bits of gear, they created this truly timeless piece of music. A shortened version of this epic gem was released back in 2005 on a U.K. compilation, but this is the first time it is seeing a “proper” single release, and is available for digital download… Lush and layered with subtleties, this is a deep and sexy atmospheric soundscape that sounds like an Ibiza sunrise… The previously released edited version was praised and supported by numerous leading DJs worldwide. Now for the first time, the original journey is available, just in time for some warm weather enjoyment. Produced by Chris Coco and Eric Kupper Written by Chris Coco (Copyright Control) & Eric Kupper {Squalene Music/Fat Fox Music (ASCAP)} Recorded and mixed at Fat Fox Studios (London) and Hysteria Recording (Weston, CT, USA) Keyboards and guitar by Eric Kupper

Thyme & Capers – Alternative Views of Santorini

11th May 2012

No apologies for being away, been away. Now back. Here are some pictures.

I have been thinking about why I take digital photos. They are, of course, a memory store, the archetypal crap holiday snaps, or travel pics, a moment captured. But I tend to focus, mind and then lens, on details, tiny things that so often go unnoticed, views that you will not find in the travel brochure that accompanies Brand Holiday Destination. The sun bouncing off the paintwork on a tantalizingly padlocked door; a piece of graffiti declaring love between two unknown and never to be met people, on a black rock next to a church on a hill; the rusting wheelbarrow at the back of the church; a discarded flower, perhaps passed to a child or a lover as a gift or an attempt at reconciliation, tossed away and stamped on, left as unloved and unnoticed as the giver of the gift. All this attention to detail, beyond capturing, I hope, some beautiful images out of the casual chaos of an everyday life, also helps me in some therapeutic way to find beauty in the everyday. I delight in the detail. At the best moments I feel a childlike wonder at the world and all it’s tiny elements. Of course, it doesn’t always work, and the feeling never lasts, but for those moments when I see a lonely chair on the edge of a dusty, cracked concrete jetty and think – yes, this is beauty, it’s really rather wonderful. So here are a selection of pictures taken on a real holiday in Santorini, the Greek island that really is one of the most beautiful places on the face of the earth. There are plenty of padlocked doors and wide open spaces, vertiginous views and delightful details. Enjoy.


28th April 2012

Record Store Day

21st April 2012

I’ve been thinking about Record Store Day. As far as retail ‘events’ goes, it is, undeniably, ‘a good thing’. After all, it’s definitely totally indie, there are only independent record stores left now. It gives lovely shops like Rough Trade East, where I chose to go for my retail fix, a massive boost. And, because it’s something to do with music, it’s suffused with this mystical idea that you are in some way doing something more than buying something when you go and buy something. Now, I’ve been attempting to get totally zen about purchasing stuff. Usually, outside of the local green grocers, where I can’t help but be tempted by the purple sprouting broccoli and the buttony vine tomatoes, I can usually sail down a high street or a cool back alleyway, past all the shops, without a blink, without one little pang of the old – oooh, I really NEED that thing, without a tinge of retail regret when I get home. But today, oh today, I found myself slipping, like the alcoholic fallen off the wagon, my little look into the shop turned into a whirl of old style shopping. First, I picked up a Gotan Project single. New tracks, good for the radio show, I heard myself mumble, probably actually out loud, not just in my head. Then the Daphni mix of the new Hot Chip single, because, well, it’s Daphni, and, well, that will be good for the show too.

Then, with two shrink wrapped beauties under my arm I headed for the 7″ single counter, a table stocked with little discs of delight, wrapped in coloured paper. Tasty audio macaroons, each one bright and shiny, each promising a different flavour. A copy of the Velvet Undergroud’s Sweet Jane in original picture sleeve slipped into my collection; closely followed by a soul version of a Nirvana song, bought on the strength of the little info label, so courteously attached by one of the RT staff to tempt people like me. Ooh, only 200 copies in the whole world, I gasped. Then, all the old habits coming back, I made one more round of the bits of the shop I had already visited, just to make sure I hadn’t missed anything, eager to add to the little stack of stuff in my sweaty hands. Once you have bought four things, another one doesn’t seem like that much of a big deal, so I quickly added a 12″ from The Very Best, then, in a moment of clear vision, headed for the till before things got really bad. I think it was the sight of the £22.99 price tag on the reissue of the Velvet Underground’s Loaded album that did it. Though of course on a track by track basis my single, with only two tunes for a whopping £6.99, is actually more ridiculously over priced. So, out of the shop, 45 odd quid poorer and on some sort of high from the queueing and the bustle and the buying and the barging and the general good vibes inside the store, I strode out into the spring sunshine in search of a pub to watch the second half of the Chelsea Arsenal game. Of course it can’t last. Apart from the collectors and the geeks, we will all, inevitably, end up consuming our culture digitally. There really is little point in owning a carrier of music or a film when what you want is the music or the film. It takes up space, it gathers dust and eventually hurts your back when you put it in a box with lots of other carriers and try to move it somewhere. Almost all the music I buy now is digital and unlike the luddites and the product fetishists, I actually like it that way. I have never been that big on stuff. But, despite the fact that I have been parted from some cash, despite the fact that it’s not entirely necessary, I still think it would be a tragedy if Rough Trade and all the other shops like it round the country were to disappear. I will always love looking round them, smelling the smell of slightly damp cardboard, feeling part of some sort of indefinable something that is just so cool and so beautiful, Even if, most of the time, I get some ideas then go home and buy the download.

Coco exclusive on new Cafe Del Mar album

21st April 2012

The next edition of the legendary Cafe Del Mar album series features an exclusive track from Chris Coco called Cape Clear.