At 21:03, rolling past Chamomile Street on the way to London Bridge, the city canyon is in shadow, but the sun still illuminates the crane tops and scrapers. We stop in our tracks and I pull out the Leica, shooting beams and angles. Itâs only a moment but it feels like magic, this play of light and shade on the concrete, steel and glass up above.
At 00:47 the long train begins to roll through. It must be heavy because it makes the rails squeal, sometimes it sounds like singing, sometimes screaming, depending on the wind direction and the mood I guess. I donât know where it comes from, what it contains, or where it goes. But somehow, as I poke my head out of the window, the better to listen to the sound, it makes me feel more alive.